The next two lines are referring to their capture and torture at the hands of the Thought Police. Despite the fact that they are constantly beaten and forced to confess to crimes they still attempt to hold onto their love. At the same time he constantly worries about waking the Thought Police obvious reference and hopes that they can continue their affair without showing outward emotion in public. Take us away from here Protect us from further harm Resistance" I'm stumped on this part of the song.
It could be a reference to their capture and that they can now no longer pretend everything will work out for the better. It could also be a reference to the end of the book when they see each other for the last time. The night representing that their relationship has passed, and now they must move on and try to avoid more torture or death at the hands of the party. That's just a guess though and I'd love to hear opinions on this last part. ExOP on September 17, Link. Winston loved Big Brother and is killed at the end of the book- 'He was walking down the white-tiled corridor, with the feeling of walking in sunlight, and an armed guard at his back.
The long-hoped-for bullet was entering his brain. He actually wanted it, and anything the party wanted. He was completely broken Such a sad ending, but perfect Halloken on February 07, I think that all of that you just said could definately be the true meaning of this song I admire your post. The resistor placed in series between the diode and the battery is causing the diode to drop a constant amount of voltage, but without burning it out.
Clearly, Matt is drawing a parallel between the delicate state of love and solid state electronics. General Comment This song has themes that relate to However, it's actually concerning our current state of the world and the powers that manipulate it. Or will our world come tumblin' down? Are we out of sight? Will they find us? The embrace spoken of is the embrace of truth and resistance against what is commonly referred to as the "illuminati" or "New World Order.
Since "Showbiz," this common theme has been present. Any thoughts of human unity, love, and peace will stagnate the current progress towards globalism and full control of the human race. Hiding the truth inside - remaining hidden, but keeping alive an underground awareness, or resistance, from this evil.
Love is the opposite of these things. There are so many other songs to derive this EXACT same theme with different perspectives and situations. If you find out more about Matt Bellamy, you will realize that he believes these things. Genetically modified food containing unhealthy and dangerous agents. United States of Eurasia - theory relating to the globalization of nations "The New World Order" many other songs I don't have time to list Matt is right on many of his ideas.
The world is ruled by neo-Babylonian bloodlines. Their system of order known as the illuminati has corrupted all governments and works in the common disinterest of humanity. However, there is a lot of speculation on this subject that is confused as fact.
Don't take this as such. Decide for yourself, but you have to wake up first. Muse gets it! Wake up! The song is also about any love which crosses boundaries such as religion or strong political beliefs and the subsequent recognition of the unimportance and divisiveness of such beliefs.
On the 11th January , it was announced through Muse. The song has been included in a piece of downloadable content for the game "Guitar Hero: Warriors of Rock. In an interview with Guitar Player magazine July Matt revealed that he recorded the guitar solo with the Fender Aloha Stratocaster.
Dom mentioned that the song is one of his favourites playing live, however, Matt doesn't wants to play the song very often because he thinks the song doesn't get the 'reaction' he was expecting the song deserves, however, Dom has convinced him to play the song.
Resistance was played at almost every date of The Resistance tour mostly because of the fact that it was a moderately huge single off of the album. It has since maintained irregular performances throughout The 2nd Law and Drones tours, though it has been performed increasingly less common throughout the years. Because it is a slower song, it was left out of most of the Drones Festival Tour though it was played very often during the Tour later that year.
Will they find our hiding place is this our last embrace or will the walls start caving in? It could be wrong, could be wrong, but it should've been right It could be wrong, could be wrong, to let our hearts ignite It could be wrong, could be wrong, are we digging a hole? It could be wrong, could be wrong, this is out of control It could be wrong, could be wrong, it could never last It could be wrong, could be wrong, must erase it fast It could be wrong, could be wrong, but it could've been right It could be wrong, could be Love is our resistance They'll keep us apart and they won't stop breaking us down Hold me Our lips must always be sealed.
If we live a life in fear I'll wait a thousand years Just to see you smile again Kill your prayers for love and peace You'll wake the thought police We can't hide the truth inside. It's canny: Leading the uncommitted down a drum machine paved path of catchy s revivalism and straight into the path of an army of kids straddling the gap between entry-level classical and "Headbanger's Ball".
And "army" is right: Unity in the face of faceless post-industrial society grinding down beautiful stuff like love and friendship is perhaps Muse's great theme. Bellamy is constantly tossing out mass-shout-along-ready lyrics like "we will be victorious" and "they won't stop breaking us down. Things break down easily into a "we" rarely does an "I" creep into Bellamy's songwriting and a "they. But unlike the creepy mass-rally overtones that so bugged early rock critics about music designed to pack civic centers-- or thrilled them when it was punk leading in the kids in revolt-- you get the sense that Bellamy's lyrics are an outgrowth of wanting to make his music as big and inclusive as possible, rather than any inchoate political impulses.
No doubt Bellamy fancies himself some sort of social crusader, but his mush-headed vagueness like Bono and Chris Martin and just about any Brit frontman operating on this scale is designed to inspire warm fuzzy feelings of togetherness and resistance rather than offer any ten-point plan to overthrow the emotionally fascist modern world.
So let's take the warm fuzzy bigness of the music at face value. It's understandable if the Buckley mannerisms and Mercury multi-tracking on "The United States of Eurasia" aren't your cup of tea.
You may cringe at the Pavlov-approved crescendos that surge through "Guiding Light", the sort of thing where you imagine a ProTools preset producers have nicknamed "10, People Holding up Bics They Bought Especially for the Concert.
Now a Daydream Nation style knowing "trilogy" this is not. There's massed strings.
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